Unlike in the anime, here Jet did not know that Spike used to be a member of the Syndicate, and Spike carefully kept this information a secret for fear that Jet, a former cop, would react poorly. Every member of the Bebop crew embraced an unusual kind of found family who spent more time apart than together, and who didn't care if it was all temporary. Conversely, Netflix's version cared too much about who all of its characters used to be, and a lot of the live-action Cowboy Bebop's conflict revolved around this idea. They were all running from something and didn't care one way or another what anyone else on board might have done in the past. The Bebop crew was brought together not so much because they liked each other, but out of a desperation and certainty that they had nowhere else to go. One of the Cowboy Bebop anime's most integral themes was loneliness. Giving Julia the chance to double-cross him in the finale and become the new head of the Syndicate was a fun twist, but unless Netflix is willing to make her a proper bad guy in his place, then Cowboy Bebop lost its most frightening villain in the process. He lacked the sense of control and sophistication he used to possess, turning Vicious into less of a threat to Spike and the rest of the Bebop crew than he was in the anime. Yet, by making him more knowable, Cowboy Bebop ultimately made Vicious less intimidating. Netflix introduced Vicious much earlier in the storyline and developed his character throughout Cowboy Bebop season 1, giving him a complex backstory that helped to explain his motivations for taking over the Syndicate and turning on Spike. The Cowboy Bebop anime did not reveal much about its primary villain until the Cowboy Bebop's final confrontation between Vicious and Spike, allowing his mystery to intimidate viewers even more. His reserved nature allowed any moment in which he did lash out to further embody his namesake. In the original anime, Vicious was quiet and cunning. Netflix's Cowboy Bebop did its best to flesh out each of the main characters, and most of these efforts improved upon the source material, but deepening Vicious' character only made him worse. However, its worst change was perhaps Cowboy Bebop's alterations to Vicious (Alex Hassell). It was as if Netflix's Cowboy Bebop did not trust its audience to follow along without peppering the story with increasingly overt clarifications of events. Similarly, Jet's and Spike Spiegel's (John Cho) better developed backstories, with additional flashbacks of Spike and Julia (Elena Satine) and the introduction of Jet's young daughter, mainly served to further explain character details that didn't really need explained. For instance, although Netflix's interpretation of Faye Valentine (Daniella Pineda) was overall enjoyable, at times she exerted an almost theatrical sense of confidence that detracted from her credibility, despite-or perhaps because of-her relentlessly high energy and vulgar comebacks. The acting sometimes leaned more toward exaggeration instead of the subtle nuance present in the Cowboy Bebop anime. " But the stark disparity between the exaggerated tone of the Netflix series and that of the original 26-episode anime (and interquel feature film) feels like a decision by showrunner André Nemec to interpret the idea of what a cartoon would feel like in live-action rather than create a more straightforward version of Cowboy Bebop."
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